STAR WARS: THE FORCE AWAKENS - To Boldly Go To A Galaxy Far Far Away…

NOTE: May the spoilers be with you. Also, fair warning, this is more of an in-depth review so hang in there.

“Some things never change.”
- Han Solo (Harrison Ford), Star Wars: The Force Awakens

All his life, J.J. Abrams wanted to be a storyteller. Inspired by the films of Steven Spielberg and George Lucas, he became a screenwriter. In college, he wrote the film Regarding Henry. During the making of the film, Abrams got to meet its star, Harrison Ford – who had years earlier played two of his film heroes, Han Solo and Indiana Jones.

Nearly 20 years later, Abrams transitioned into directing. He was offered Mission: Impossible III by Spielberg and Tom Cruise, which led to the reinvention of the franchise. Paramount would often ask Abrams to help revive a franchise with 2009’s Star Trek. The film was a massive success and led to Abrams’ first original directorial project, Super 8, about a group of kids shooting a zombie movie in a small town when an alien monster attacks. He was able to share a set with Spielberg, the film’s producer. It was also a major success.

Then, Abrams hit a major speed-bump in the form of 2013’s Star Trek Into Darkness. While the film was a financial success, the critical and fan reaction was dismal; the leading argument being that the film was nothing more than a rip-off of Star Trek II: The Wrath of Khan. Speaking of Khan, the decision in the film marketing to hide the true identity of Benedict Cumberbatch’s character was loudly decried. Eventually, things got so hostile that the film’s co-writer Roberto Orci launched into an all-out rage against the fans on Twitter and declared he knew “what was best for Star Trek” more than they did. After the outburst, Orci left Twitter and has not resurfaced other than his television projects (“Limitless” and “Minority Report”) with his partner, Alex Kurtzman. Abrams has since taken the blame for most of the decisions made on the film. Little did he know that he was about to jump from one galaxy to another and become a part of something he once knew as a younger man.

Late October 2012. The world is stunned when George Lucas and Bob Iger jointly announce that Lucasfilm has been sold to the Walt Disney Company. They also announced that – for the first time – Star Wars Episode VII was officially in the works; the movie George Lucas said for DECADES would never happen. Almost immediately, the brains of fans everywhere were working overtime to think of who could possibly direct this new installment. Lucasfilm’s press release specifically stated that “Star Wars will be handed over to the new generation of filmmakers”. 

One by one, every fan’s choice turned down the film: Steven Spielberg (“It’s George’s world, not mine”), Jon Favreau (“I’m not sure what I want to do next” – it eventually became Disney's The Jungle Book), Guillermo del Toro (“I’d have better luck dating a supermodel”), Quentin Tarantino (“Disney Star Wars movies? No way, José” - Tarantino would eventually despise Disney for taking away screens reserved for The Hateful Eight and instead show Star Wars), Brad Bird (“I’m busy with Tomorrowland”) and Colin Trevorrow (“I’m reopening the park with Jurassic World”). Naturally, Abrams was asked by Empire Magazine in November if he had been contacted by Lucasfilm. This was Abrams’ response:

“There were very early conversations and I quickly said that because of my loyalty to Star Trek, and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.”

Fast forward to late January 2013. With fans chomping at the bit for Lucasfilm to announce who will be behind the first Star Wars movie in a decade, it is finally revealed that the director of Episode VII will be… J.J. Abrams. Jaws everywhere fell to the floor. Even worse, this was not immediately confirmed by Lucasfilm until a day later. Abrams then said in an official press release titled, “Star Wars Is Being Kick-Started With Dynamite”:

“To be a part of the next chapter of the Star Wars saga, to collaborate with Kathy Kennedy and this remarkable group of people, is an absolute honor. I may be even more grateful to George Lucas now than I was as a kid.”

While fans might be angry for Abrams’ outright lie (or at least poor attention of misdirection), The Hollywood Reporter reports that:

“Abrams said in November that he wasn’t interested in taking over the venerable franchise from creator George Lucas. But sources tell THR that Kennedy contacted Abrams in early January and went to visit the filmmaker at the Santa Monica offices of his Bad Robot production company. Kennedy is said to have won over the filmmaker with her pitch [“Please do Star Wars”].”

And so, with the financial backing of Disney, the encouragement of powerhouse producer Kathleen Kennedy and the universe that was the brainchild of George Lucas, Abrams embarked on unarguably the biggest movie of his career.

30 years after the destruction of the Death Star II, the heroes of the Rebellion have disappeared into legend. In the case of Luke Skywalker (Mark Hamill), he and the Jedi have fallen into myth after Luke vanished after one of his Jedi students turned to the dark side. With Luke’s disappearance, the galaxy has fallen into chaos with a new evil rising, the First Order. One of its darker disciples, Kylo Ren (Adam Driver) is obsessed with Skywalker’s father Darth Vader and continuing where he left off – destroying all that is good in the galaxy; apparently not realizing Vader had a change of heart before he died. He captures X-Wing pilot Poe Dameron (Oscar Isaac), from a secret mission for General Leia Organa (Carrie Fisher), and threatens to destroy him if he does not reveal the information he seeks. On the distant planet Jakku, a desert scavenger Rey (newcomer Daisy Ridley) is dreaming of a life of adventure rather than being stuck in the middle of nowhere. She gets her wish granted in the form of a rogue stormtrooper nicknamed Finn (John Boyega), who crash-lands his TIE Fighter while escaping from the fanatical First Order. Reluctantly teaming up, they come across the paths of old veterans Han Solo (Harrison Ford) and Chewbacca (Peter Meyhew), who knew Luke Skywalker firsthand.

J.J. Abrams has pulled off a moviegoing miracle. After the disastrous fan reactions to the Prequel Trilogy (I don’t think I’ll ever be able to look at the Prequels without scoffing intensely now; welcome back, character dialogue that sounds like what people actually talk like), The Force Awakens is a callback to the good old Original Trilogy while establishing itself as an entirely new entity. I quite enjoyed the bromance between Poe and Finn, it was quite funny and awesome. Finn and Rey are the main focus of the film however, and they both play off each other well; I was particularly appreciative that they were not given a typical romance attached to them just because they are opposite genders. Daisy Ridley is a vision, perfectly smart, beautiful and talented. John Boyega has this natural charisma and charm that works well; all the controversial brouhaha over him being a Stormtrooper was absolutely worthless. Oscar Isaac is someone I had seen in movies before, but here he shines as someone personifying cool and confidence. But, to me, the shining light of the film is Harrison Ford as Han Solo. We are given a genuinely fun performance from a guy who otherwise looks so miserable he would not even go to his own funeral.

Speaking of funerals... Harrison Ford has finally delivered on his threats to kill off Han Solo. It is the scene everyone and their mother is talking about: Han Solo confronts the monstrous Kylo Ren and reveals to the audience that he knows Ren as Ben, his son. After he tries to convince his son to abandon the Dark Side of the Force, Ren kills his father with his lightsaber. As he falls, Han lovingly bids farewell to his son. It is a scene I knew was coming, but even as it was happening, my heart was pounding as I wished it was not true. However, if it had to happen, this was the best possible scenario: something noble, appropriate and well-made. Ford looks truly heartbroken, but I am sure he had to fight the urge to jump with joy.

I will make this analogy (if it makes any sense): George Lucas builds a shiny automobile. He lavishes over it and everybody loves to see it. Then, he starts adding all sorts of annoying gadgets and gizmos to the car, too proud to let anyone else handle it. Eventually, the car falls into disrepair and, having fallen out of love with it, Lucas decides to bequeath it to a friend, Kathleen Kennedy. Kennedy knows that this car used to be really something and just needs a little tender love and care. She immediately takes the car to a mechanic, J.J. Abrams, known for fixing up old hot rods. Abrams gives the car a once-over and brings in a specialist, Lawrence Kasdan, to help him match together parts. For this operation, Abrams uses top-of-the-line technology while also tracking down old parts from its distributor. The result is a purring sports car with a brand-new engine, leather seats, full tires and a new paint job.

All in all, Disney and Lucasfilm have given the world a wonderful gift: new Star Wars movies with endless possibilities. Unlike the prequels which had to go in a very specific direction and “Star Wars: The Clone Wars” which is set in a contained period of time, The Force Awakens and subsequent films can go anywhere. Anybody in Hollywood who consider themselves true blue fans of Star Wars can eventually take their shot with their favorite space saga. Abrams was the first because he has the ability to revitalize a brand. His films are action-packed thrill rides with depth-filled characters and appropriate levels of levity. Force Awakens is no different, a thrill ride with enough laughs, cheers and tears to keep audiences coming back for more of that galaxy far, far away…

STARWOIDS: Come On and Line Up

RETRO REVIEW

"Well, we basically lived out... the history of mankind within this line. We got together. We formed a government. We formed a hierarchy. We had our revolution. It all finally worked out and we're gonna see Star Wars. It's just a great time."

- Jason from the Mann's Chinese Theater line

A global social experiment is about to be set upon the world once again: can Star Wars, a worldwide phenomenon that has legions upon legions of fans, be resuscitated for a new generation after a lengthy absence? Certainly, Star Wars: The Force Awakens has a lot more going for it than The Phantom Menace, but let us take a journey back through time to just before May 1999. A time where when a new Star Wars movie was coming out, anything was possible. The creator himself, George Lucas, was back in the director's chair for the first time in over 20 years and had all of Industrial Light and Magic at his command. As the timely phrase goes, "What could possibly go wrong?" I was 8 years old at the time and was crazy into Disney's The Love Bug, so Star Wars had yet to take its hold on me. However, there is a great documentary produced at the time that chronicles the crazy phenomenon of waiting in line for weeks. 

Dennis Przywara's Starwoids is a time capsule of this scarcely remembered period where feelings regarding Episode I: The Phantom Menace was positively at an all-time high. The film opens with a Kevin Smith narration defining what a "Starwoid" is: anyone who takes their fandom of Star Wars to the next level; whether it be cosplaying as a X-Wing pilot, creating Star Wars-themed music or collecting action figures. This is where Daniel Alter enters the story. Alter, who later in life went on to produce the Hitman films, is a young man in high school who decides to bring a chair out to his favorite theater and wait there until opening night for The Phantom Menace. Soon, more people follow suit and a camp is set up outside. 

On the other side of town, in front of another theater, members from the now-defunct movie website CountingDown.com are constructing another compound of their own. They have their own TVs, Internet access and even a phone booth set to receive calls from international fans watching on a webcam. This is a more professional setup than Daniel's line. Despite that they are also raising money for charity, many in the group begin to decry the CountingDown line as nothing but a commercial gimmick to promote their website; less about Star Wars and more about cramming TV cameras everywhere.

While the battle of the lines is the center of the film, it also focuses on the general fandom phenomenon of Star Wars. One of which follows Guy Klender, avid collector, as he goes to various toy stores in search of all-new The Phantom Menace action figures. Another centers around the high school production of "Star Wars: The Musical" which takes popular songs from other musicals and gives them a twist from a Galaxy Far, Far Away. It also shows their failed attempt at infiltrating Skywalker Ranch; one ponders if this was where Fanboys was born. One of the more surprising elements is the inclusion of Phil Brown, Uncle Owen from A New Hope. Audiences learn quite a lot of interesting points including he directed a film on The Harlem Globetrotters and was a part of the Hollywood Blacklist (a topical point today because of the new film Trumbo).

The time finally comes to both lines when they can finally see The Phantom Menace. Whereas the official Episode I documentary "The Beginning" shows a few fans gleefully kiss the ground of the theater and run inside like crazed maniacs (a popular clip used in a negative fashion by Harry Plinkett of Red Letter Media), Starwoids shows that proper planning and level heads are not out of the question. Certainly excitement is in the air, but not sheer out-and-out nerdy madness. As they exit the movie after viewing it, everyone is praising it; quite long before popular opinion/sheer utter hatred envelops the planet. Daniel proclaims, "It's my favorite film!" The film then picks up a year later with Daniel looking quite different than he has at the beginning, having undergone a strict dietary regimen. He says that he was glad for the experience and that he may go again for Episode II.

Starwoids is a great look back to a simpler time and place; before the dark times, before the Prequels. Personally, I find things to like about the Prequels, but they are clearly inferior to the Originals. It would be easy to turn these people into stereotypes to laugh at, but the documentary wisely refrains from this; preferring the "laugh with us" approach. Both lines have their dramas, trials and tribulations, but nothing deadly serious (the most serious threats to the lines come from the police and apparently a group of interns from "The Man Show" who had terrorized some line people for laughs). George Lucas may never understand why people do not like the Prequels, but hopefully he takes some comfort in that Star Wars brings people together for positive reasons. We believe in these films and we all hope that Star Wars: The Force Awakens may bring back that effortless sense of wonder we have all been missing.

Starwoids is available on Amazon.com.

Starwoids

The Mouse Strikes Back

The unthinkable has happened.

"There's no going back. You've changed things. Forever."

- The Joker (Heath Ledger), The Dark Knight (2008)

"Whoa, this is heavy."

- Marty McFly (Michael J. Fox), Back to the Future (1985)

"You've just taken your first step into a larger world."

- Obi-Wan Kenobi (Alec Guiness), Star Wars Episode IV: A New Hope

Back in 1977, George Lucas could not have been more depressed. He had been in the middle of this science-fiction picture that seemed doomed to fail. The actors found it hard to take seriously, the special effects were late and unimpressive and the crew often mutinied against him. After it was all finished, 20th Century Fox began printing the film and sent it off to theaters. Then came May 25th, 1977. The day Lucas' life changed forever. Star Wars was the greatest film phenomenon anyone had ever seen. Soon, sequels followed - Star Wars Episode V: The Empire Strikes Back and Star Wars Episode VI: Return of the Jedi. Both films were massive box-office hits, which provided millions of dollars in merchandising. In the 90s, after assisting Steven Spielberg with the visual effects in Jurassic Park, Lucas saw that computer generated graphics had finally become acceptable to continue with his vision of future Star Wars films.

Then came the prequels. Fans around the world revolted against George Lucas, blaming him for devaluing their favorite film series. Midichlorians, Anakin Skywalker, Jar Jar Binks and Darth Vader screaming the word, "NOOOOO!" all irritated fans to no end. There seemed to be no pleasing them. Lucas then allowed "Robot Chicken" and "Family Guy" to spoof the Star Wars films; giving others a chance to take a shot at his failures but also allow them to pay tribute to his successes. 5 years after Revenge of the Sith, a new Star Wars film came to theaters; but with a twist. The CG-animated Star Wars: The Clone Wars was released in later summer 2008 to dismal reviews, but it helped launch a massively successful animated TV series under the same name. This helped to win back old fans and got new fans. This seemed to be the course Star Wars had been fated to for the near future. Of course, in the Star Wars universe, things have a way of changing...

On October 30th, the Walt Disney Company announced that they had made a deal to acquire Lucasfilm Ltd. and their family of companies including Industrial Light & Magic, LucasArts and Skywalker Sound. In addition, this deal included the highly lucrative Star Wars and Indiana Jones franchise and characters. This was the biggest acquisition by Disney since their purchase of Marvel Entertainment in 2009. In the below video, George Lucas discusses what led him to this decision, putting long-time film producer Kathleen Kennedy in charge of Lucasfilm and his impending retirement.


WAIT. WHAT DID THEY JUST SAY?! A new Star Wars film?! Episode VII?!

"The last Star Wars movie release was 2005's Revenge of the Sith - and we believe there's substantial pent-up demand. In 2015, we're planning to release Star Wars Episode 7 - the first feature film under the 'Disney-Lucasfilm' brand. That will be followed by Episodes 8 and 9 - and our long-term plan is to release a new Star Wars feature film every two to three years."

- Bob Iger, CEO of The Walt Disney Company

So let me get this straight. George Lucas, the man who created Star Wars, who has been saying for years, "There will never ever be Episodes 7-9. When I said that in the '70s, I was kidding. I didn't realize I'd be the same age as Mark, Carrie and Harrison," has now given up all say to the franchise he created to one of the biggest corporations of all time? And they're planning to make more of the most beloved science-fantasy film series of all time?

My initial reaction was like this:


("What's going on? Is this a joke? Episode 7?! Come on, that's never happening. Somebody's hacked into Disney's mainframe or something.")
But then the validity was solidified.

And then my reaction was like this:

Let's face it. There's no better home for Star Wars than Disney. Lucasfilm wasn't going to do anything major with Star Wars other than "Star Wars: The Clone Wars". Disney will take the reins from Lucas (willingly) and implement it in all the ways they can. This means all new merchandise: toys, video games, comic books, etc. Did Disney have to start making more Star Wars movies now that they have Lucasfilm? Absolutely not. They simply could have held onto the endless moneymaking that could come from all the licensing from Star Wars. But they were interested in keeping the saga alive for the future generations (and continue making money from it).

It's like when Disney bought Marvel three years ago. Fans revolted, thinking Disney was going to water down their characters into family-friendly babies. Instead, they put an actual Marvel comics writer (Whedon) in charge of their biggest film, Marvel's The Avengers. The Hulk didn't become Mickey Mouse. Black Widow didn't become Hannah Montana. The film made $1.5 billion and was embraced by fans worldwide. Disney and Marvel are committed to taking their characters and making them international phenomenons. 

Disney and Lucasfilm can finally start making a brand new Star Wars theme park. The reason we haven't gotten anything outside of "Star Tours" and the "Indiana Jones Stunt Spectacular" stateside is because Lucasfilm reportedly signed an agreement with Disney that said they could never open a Star Wars/Indiana Jones theme park in the United States. Now that they're together, all's fine and anything is on the table. I'm still waiting on that Tony Stark Expo, by the way.

What can Disney to satisfy these angry fans? Well, for one thing they can release the original, unaltered trilogy in high definition on Blu-Ray. And I'm not one of those fans who are enraged at ALL the changes Lucas made to the series. The only ones that bother me:

• R2 hiding behind more rocks. It makes no ounce of sense, how would he have gotten behind there? (Star Wars Episode IV: A New Hope)

• Greedo shooting first. When even Lucas is wearing a "Han Shot First" shirt and doesn't change the scene back for the Blu-Ray, that's just wrong. (Star Wars Episode IV: A New Hope)

• Darth Vader yelling "Noo!" picking up the Emperor and tossing him over the side. I get that the movies are meant to be poetic, but by this point it makes Vader look stupid. (Star Wars Episode VI: Return of the Jedi)

Only problem is, Fox still holds the "in perpetuity" rights to Star Wars Episode IV: A New Hope. They hold all the rest of the movies until May 2020. Now, Disney can always throw down a lump sum of cash, but Fox has been burned by Disney before: Chronicles of Narnia, anyone? Still, there have been some hints that Fox is willing to let bygones be bygones and play nice. I'm sure they'd ask for a cut of the profits. Still, there is some doubt as to whether Lucas would surrender the original 1977 prints. If he's willing to sell off the entire Star Wars franchise, what more worth does the original film prints have for him?

Now that there will be a brand new Star Wars film for the first time in a decade (unless one counts The Clone Wars), of course everybody wants to know who will be in the movie, what the new story is, and who will direct the film. I was pleased to hear that Mark Hamill and Carrie Fisher were the first ones told about Lucas agreeing to have the sequel trilogy made. Hamill seems to be interested in coming back as Luke Skywalker. This is great, considering that by Jedi, Luke is no longer whining about, "going to Toschi Station to pick up some power converters" (which makes for a funny joke in "Robot Chicken"). He's a mature warrior who is ready to face his destiny. Seeing Hamill over the years just goes to show you his quiet wisdom and wry sense of humor. And of course, being the best voice for the Joker ever. He could easily pick up the character today.

Something refreshing to know about the new Star Wars films is that Lucas will be contributing story ideas, but beyond that, he'll have no real power. What does this mean? It means we're going to see a whole new direction for Star Wars. Uncharted territory. It won't be based on books, video games or anything authors have come up with. Luke, Leia and Han will be facing new adventures at the hands of whoever gets chosen to write the film.
The last major thing to wonder about the next Star Wars movie is who will be in the director's chair. With Lucas out of the pictures, hopefully the movies will move in a much faster pace ala J.J. Abrams' Star Trek. Yet all the names that have been thrown around from Brad Bird to Matthew Vaughn will not be chosen. Why? Because they are already busy!! This was a SURPRISE announcement. Most of everybody's suggestions are already in the midst of making new films. The Disney/Lucasfilm announcement stressed that the new films would be made with the involvement of "the new generation of filmmakers". So literally any director born after 1970 is eligible. But, really, let's not kid ourselves. Who in their right mind would take this job? Seeing all the trouble George Lucas has had to put up with for the last 25 years, and the amount of fanboys' eyeballs that would be following your every movement. It's not easy to think about.

Still, if Disney takes the same approach with Lucasfilm that they did with Marvel and Pixar, we're all in for a big surprise come 2015. Unless Max Spielberg decides he suddenly wants to do Jaws 19.

The Learning Curve

"In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so."

- Anton Ego (Peter O'Toole) Ratatouille (2007)

I've been garnering a lot of approval of my positive review of Drive and my negative review of Yogi Bear. However, I've also gained highly negative criticism for my positive review of Footloose. This is not to say people can't enjoy one film and not another. This is America, the land of opportunity. Anybody can say whatever they want about a film they enjoy or don't enjoy.

I can't change my opinion of Footloose. It is a highly entertaining, wonderfully charming and all-in-all sweet film. Many, including film fans that I have deep respect for, have flat-out told me that Craig Brewer should not have wasted his time on this "stupid remake of that $#*!ty-ass '80s movie". Others have said:

"He has NO valid artistic reason for doing this!"

"If you think Footloose is a good movie, then I think drug testing is in order."

"Here's how much [I] want to see Footloose..... ZERO."

"Why anyone would want to remake a piece of tripe like Footloose is beyond me!"

I would imagine you get the point. If Footloose was as painful-looking as Bucky Larson: Born to be a Star, I would gladly join them. But enough care and time was given to it by Craig Brewer to elevate it beyond the simple title of "unwanted remake". It includes a lot of warmth and love to soften even the hardest critic's heart, if they are legitimately open to it and not let cynicism rule their lives. Filmmakers often get too much anger over their projects and when they come out to explain their choices, fanboys often rip them to shreds and want to string them up by the celluloid strips of their most-hated films.

As I've said before, Steven Spielberg received a lot of anger and hatred from displeased fanboys over elements (and to some, the whole) of Indiana Jones and the Kingdom of the Crystal Skull. Spielberg did his best to douse the flames by proclaiming that the Blu-Ray of E.T. The Extra-Terrestrial would only include the original 1982 version of the film and not the 2002 Anniversary Edition featuring digitized walkie-talkies replacing shotguns. And now, Spielberg has finally answered the damning 2008-era critics.

"I'm very happy with the movie. I always have been... I sympathise with people who didn't like the MacGuffin because I never liked the MacGuffin. George and I had big arguments about the MacGuffin. I didn't want these things to be either aliens or inter-dimensional beings. But I am loyal to my best friend. When he writes a story he believes in - even if I don't believe in it - I'm going to shoot the movie the way George envisaged it. I'll add my own touches, I'll bring my own cast in, I'll shoot the way I want to shoot it, but I will always defer to George as the storyteller of the Indy series. I will never fight him on that."

"Hey, George? George! Watch me invent the troll face!"

Now, granted, I can see how easy it would be for Spielberg in his position to say, "IT WAS ALL GEORGE'S IDEA! IT WASN'T MY FAULT! I SWEAR!" Especially when most people are seeing red after the double-whammys of the altered Star Wars Blu-Rays and the upcoming release of Star Wars Episode I: The Phantom Menace 3D. I'm sure he's received a damn decent share of death threats (maybe even from people I consider friends).

"Man... I'm standing next to Steven Spielberg. My life has meaning!"

May 22, 2008: When many people claimed their childhood was raped. When their hero was seemingly destroyed across a vast cinematic canvass. Indiana Jones, to them, was dead. The blame game had started. In 2010, during press tours for Wall Street 2: Money Never Sleeps, Shia LaBeouf was reportedly prodded about his role in Crystal Skull and its derided place in pop culture. LaBeouf was said to have gotten heated over the question and said, "I think the audience is pretty intelligent. I think they know when you’ve made (slop). And I think if you don’t acknowledge it, then why do they trust you the next time you’re promoting a movie. You can blame it on the writer and you can blame it on Steven.... We [Ford and LaBeouf] had major discussions. He wasn't happy with it either. Look, the movie could have been updated. There was a reason it wasn’t universally accepted….We need to be able to satiate the appetite. I think we just misinterpreted what we were trying to satiate. I’ll probably get a call. But he needs to hear this. I love him. I love Steven. I have a relationship with Steven that supersedes our business work. And believe me, I talk to him often enough to know that I’m not out of line. And I would never disrespect the man. I think he’s a genius, and he’s given me my whole life. He’s done so much great work that there’s no need for him to feel vulnerable about one film. But when you drop the ball you drop the ball." A year later, during his own press tours for Cowboys & Aliens, Harrison Ford had simply this to say, "I think he was a f*cking idiot. As an actor, I think it's my obligation to support the film without making a complete a** of myself."

So who is really at fault here? Many would scream their heads off saying, "LUCAS!" Others would vehemently say, "SPIELBERG!" Still few would say, "LABEOUF SUCKS," and not even be referring to Crystal Skull (while they beat him up outside a bar). Personally, I don't know why anyone hasn't blamed Jeff Nathanson, specifically by name. Oh wait. Cause he only wrote Crystal Skull, Catch Me If You Can, Rush Hour 2 and 3, The Terminal, Speed 2: Cruise Control and the upcoming Tower Heist (and we all know there's plenty wrong with that movie). Not the best track record ever.

I would like to think Steven Spielberg is one of those rare directors who learns from his mistakes. Take 1941. Yes, 1941. This was after Jaws and Close Encounters of the Third Kind. He was on top of the world. This was his chance to do a real big-budget comedy epic. About the day after Pearl Harbor. Yeah. Though he was smart to make fun of his own movie Jaws in the opening scene, Spielberg was dismayed to see that no one was laughing in a test screening. Although the film was a financial hit, it did not make the same amount of money that Spielberg's previous films made. Spielberg was practically defeated. Until he was sitting on a beach in Hawaii with a friend of his who had a new idea for a film that would feature America's version of James Bond. That friend was George Lucas and the movie was Raiders of the Lost Ark.

I would take Spielberg at his word here and trust that he will not lead audiences astray with The Adventures of Tintin. And from all the reviews coming from overseas, it appears that we Americans have quite a treat coming in December. And if you don't like that... hey, you get a drama from Spielberg. War Horse.