Best of 2011

2011, as a whole, wasn't a great year. With 27 sequels, who could blame it? Certainly Hollywood needs some fixing, but I still think it has some life left in it. Why? Because these movies rose from the dark and gave me laughs, cheers and smiles. Here they are, my best of 2011

10. Real Steel

As I said in my review, this is Shawn Levy’s big breakaway from comedies into more serious territory. Nice guy Hugh Jackman delivers a fine performance as not-so-nice-guy Charlie Kenton. The boxing robot effects are great, a nice blend of practical effects and motion capture. For a much derided film, it builds its premise up fairly well.

9. The Green Hornet

It’s not the sturdiest of superhero movies, but it’s plenty better than another “Green” superhero (who would’ve guessed?). A film that pays respect to its predecessors in radio, comics and television while also working for a modern audience, Michel Gondry’s first major mainstream film swiftly mixes comedy and action. It’s got to be given props for coming up with some pretty outlandish set pieces – most done practically (such as the opening club explosion). It’s clear that Seth Rogen did his homework on all things Green Hornet, from the look of the Black Beauty to a small nod to the original Kato, Bruce Lee. The only nitpick I would have with it is that barely any of the characters are remotely likable. Also, I have never seen a worse candidate for an IMAX 3D film. I saw this in 3D, and I saw nothing that would be worthy of an IMAX 3D release. Absolutely nothing. If you saw it in IMAX, you have no soul.

8. Super 8

Ever since Iron Man 2, we were waiting on Super 8. J.J. Abrams’ first original film as director gets a lot of praise for being a great proponent of do-it-yourself filmmaking. The performances from the children are fantastic, not to mention Kyle Chandler. Where this film gets a lot of hate is the “half-hearted and uneven” depiction of the alien monster with unsympathetic goals. Personally, I’m a fan of Abrams’ films. I think he’s an interesting filmmaker to keep an eye on. The action and suspense were thrilling, especially the train crash sequence which was amazing. It seemed like much of the effects were done for real; for instance, the tipping bus. In the production design, Abrams masterfully recreates a Spielbergian town that looks truly authentic as though it had never been touched by modern times. In all, Super 8 is quality entertainment. It also shines a large and positive light on filmmaking, which I was very impressed with.

7. The Muppets

I know I’m gonna get a lot of flak for putting it so low on the list, but as I said in my review, I did enjoy the film. I just still could not get past the disappearing Muppets and the disappointing Amy Adams. Still, the songs were wildly enjoyable and the film’s bouncy bubbly enthusiasm will leave audiences of any age smiling. Jason Segal has done the impossible: bring the Muppets back from the brink and give them a film where they are again the stars.

6. Thor

For a superhero’s first depiction in film, Thor does leave some things to be desired that serves the purposes of linking to The Avengers but hopefully a sequel (if it can just stick to a director) will expand on the vast universe surrounding Asgard set up in this film. Chris Hemsworth shines as Thor, going from selfish to selfless perhaps a bit too quickly but believably. Although Natalie Portman is enjoyable in the film, her role isn’t particularly demanding. Everybody gives a lot of crap to the very pretty Kat Dennings and her comedy chops, but she wasn’t in the film enough to bug me. Anthony Hopkins is an inspired choice for Odin, but borderlines on over-the-top on some line deliveries. Who knows? Maybe Odin needs to be over-the-top. By far, the funniest Stan Lee cameo yet; I’m sure I was laughing louder than anyone else in the theater when he showed up. The sets are very well done, thanks to master production designer Bo Welch (who has a particular touch in his work). Kenneth Branagh does a fine job of directing, but has a much hated fascination with Dutch angles that many will be happy to see gone in Thor 2.

5. X-Men: First Class

One might think that because of the rushed production schedule that this film would be a studio controlled mess. On the contrary, this film appears to have been made by Fox throwing money at Kick-Ass director Matthew Vaughn and saying, “Money is no object. We trust you.” The cast -- in particular James McAvoy and Michael Fassbender -- is outstanding. Kevin Bacon plays a killer villain as eternally youthful Sebastian Shaw. The best part of the film is of course its pitch-perfect cameo of Wolverine played by Hugh Jackman (who, with this film, breaks Christopher Reeve’s previous record of most times playing a superhero). The period is used well to the film’s advantage but more recognizable songs would’ve been more appreciated.

4. Rise of the Planet of the Apes

When I heard this film announced, I predicted doom right from the start. I assumed Fox had lost their minds and were flogging a dead horse. Never in my moviegoing years have I been happier to be proven wrong. After the double fiasco of the Oscars and Your Highness (but a great cameo in The Green Hornet), this is precisely what James Franco needed -- a performance that allowed him to be subtle -- though the unarguable star of the film is Andy Serkis who brings performance capture to new heights. Evolving a technique initially used in bringing Davy Jones to life in the productions of the Pirates of the Caribbean sequels, Serkis performed the role of smart simian Caesar live on set. This helps to give excellent performances out of Franco and John Lithgow, whose enthusiasm is unbridled. I eagerly anticipate a sequel.

3. Drive

I enjoyed this film much more than Fast Five (not that it wasn’t good, just not as great as this film). As I said in my review, I will never underestimate Ryan Gosling as an actor ever again. He delivers a fantastic performance as the mostly silent Driver who is out for revenge after a heist gone wrong. It balances sweet scenes of the Driver driving through the sunset and the violence acts he has to incur to protect the ones he cares about. I’m not gonna say much more about it, but you can read my review and then go see for yourself. It’s a fantastic drama with action that doesn’t get over-the-top like Fast Five does.

2. Footloose

I can’t think of many critics who would have this film in their top 10 lists, much less top 3. But I’m not a critic (most of ‘em are cynical). I’m a movie buff and film optimist. This film gave me two of the greatest moviegoing experiences of the year. The first time I saw it was in July, when director Craig Brewer brought the film to town for a special sneak preview. I waited in line in front of a local DVD/Blu-Ray store at 8 AM, he came and brought donuts, recognized me BY NAME (nearly lost my $#*!) and handed out tickets. I drove over to the theater and waited across the parking lot outside of a Whole Foods Market sweating to death with only my laptop, a Mexican Coca-Cola and a small cup of Ben & Jerry’s. Finally, it came time to see the movie (before waiting in another line). Mr. Brewer came out to introduce it, told us some stories about how he was offered the movie and what the original Footloose meant to him. I saw it, I enjoyed it immensely. I thanked Mr. Brewer for the opportunity to see the movie early, got a picture with him and an autograph. Then came October 14th, when the movie was released to the general public. I didn’t have the money to go see it opening day, but I heard Craig Brewer was in town to open it up locally and I wanted to wish him good luck for the movie’s opening weekend. I went by the theater where he was, bumped into him and said good luck to him. He asked me if I was seeing the movie that night. I told him, I would love to, but I simply didn’t have the money. He says, “No problem,” and he hands me a free ticket. Cue exuberance. So I brought my laptop into the lobby, sat at a table and started writing while he’s signing posters and posing for pictures with people. After about two minutes with no one coming in, he comes over and sits down and we start chatting. Then, his phone rings. He says, “I’m sorry, I gotta take this.” He then looks at the screen and says, “Look who it is.” He shows me the screen and it says “Dennis Quaid”. Cue awesomeness. He gets to talking to him and I’m just sitting in awe. So, if it’s any correlation of the man to his film, Footloose is full of great times, well-performed drama and killer dance moves (for more specific info, please read my review).

1. The Adventures of Tintin

Steven Spielberg’s first foray in 3D makes for his most fun film in years. I’m not sure what got him on the kick of doing historical dramas and dark science-fiction pieces (with the occasional E.T. re-release and Crystal Skull thrown in), but it is so refreshing to see something so new and inventive from Spielberg. There was clearly a lot of care taken with the characters, the story and the partnership with Peter Jackson is unbeatable. See my full review.

Honorable mentions:
I hated to put these movies here, because they are very, very good, but I simply ran out of room in the top 10. By no means do these omissions mean I like them less or more than what is on the list.

Captain America: The First Avenger
The Tree of Life
30 Minutes or Less
Attack the Block
Source Code
The Girl with the Dragon Tattoo
Drive Angry

Worst movies:
Pirates of the Caribbean: On Stranger Tides
Green Lantern
The Smurfs
The Dilemma

DRIVE: Ryan Gosling's A Real Hero

Let's face it. Action is one of the greatest genres Hollywood brings to the general public. And why not? It is riveting, full-blown and never fails to give audiences adrenaline-packed thrills! But of course there are differences in this genre. In essence, there is dumb action and smart action. Dumb action movies include Justin Lin's Fast and Furious, Neveldine/Taylor's Gamer, and of course, the grandaddy of 'em all, Michael Bay's Transformers series. Smart action movies include Steven Spielberg's Raiders of the Lost Ark, Duncan Jones' Source Code, and Michael Mann's Heat. But there is a new film to add to the smart action group, Nicolas Winding Refn's Drive.


You may be noticing I'm not posting the full trailer. I think it's a bit spoilerish to be bluntly honest. That and you'd possibly mistake it for Fast Five.

The first major thing I took away from this movie: Never again will I ever underestimate Ryan Gosling. Before I saw Drive, I saw him (as must guys probably do) as "that Notebook guy", the pansy, the hearthrob. In my particular case, he's also the guy who's taking Emma Stone away from me in movies (Crazy, Stupid, Love). But that's a different story. (Emma....) But in Drive, Gosling is allowed to show his badass side. His character doesn't even have a name, just "The Driver". How cool is that?

The film opens with the best subtle action set piece I have seen since the opening of The Dark Knight. You see The Driver laying down his rules (as you heard in the above video): "If I drive for you, you give me a time and a place. I give you a five-minute window, anything happens in that five minutes and I'm yours no matter what. I don't sit in while you're running it down; I don't carry a gun... I drive." Automatically out of the gate, the character is laying down the law. Immediately after this is the heist (which we don't care about) and The Driver sitting, waiting. He has a watch with him and its ticking is almost pulse-like. We're led to believe that the goons are not gonna make it and he's gonna drive off and leave them. But they make it in enough time and so starts the getaway:


The clip ends just as the going gets good. But there's a small taste of the quiet yet thrilling action that fuels Drive.

The Driver spends his days as a stunt driver for movies (although he has no name, on his police officer's costume a nametag reads "McCall", so I figured that just as well could be his name). He impresses his boss, Shannon (Bryan Cranston), so much that he mentions him to a friend of his, former movie producer Bernie Rose (Albert Brooks in a rare non-comedy role). Shannon says: "You put this kid behind the wheel and he can do anything." Shannon wants The Driver to drive a racecar that Bernie has just bought. Bernie himself is impressed when he meets the usually quiet Driver.

"I'm looking for my son, Nemo."

At the same time, The Driver meets a young woman, Irene (Carey Mulligan), and her son, Benicio who lives a few doors away from him at his apartment complex. He begins to feel affectionate for them as he helps her out with her constantly malfunctioning car and offers them a ride home. Here's a clip from the scene that details a bit of backstory of The Driver and shows his sweet sensative side:


She clearly feels the same towards him but she already has a husband, a soon-to-be-released convict named Standard. When Standard meets him, the tension is near unbearable. Is he going to be upset after hearing about how much time The Driver has spent with his wife? Unusually (at least in my opinion), Standard does not feel any anomosity towards The Driver and accepts him as a friend of the family. One night, The Driver finds Standard beaten and bloodied in a parking garage. Standard tells him that he is supposed to owe $20,000 in "protection money" from a guy he knew in prison. The Driver wanting to protect this family, offers Standard his help. Without spoiling anything, the heist to take $20,000 goes horribly wrong and sends The Driver speeding away from the caper with another car chasing after him: something that's never happened before (outside of the police).  The Driver is furious and wants justice. With his set of skills and a little attitude, he's gonna find out who is chasing him and end it.

This is one of those films that on the outside looks like a straight-forward action film with dumb, senseless action. But what differs Drive from Fast Five (like the dumb woman who is suing FilmDistrict will never recognize) is that it has a beating heart and soul. Its characters are infinitely more important than its action sequences (there are really only two decent car stunt sequences in the entire film). Gosling delivers a solid performance as The Driver. Mulligan is an actress I'm not quite fond of but she did well in this film. Thanks to Drive, I will never be able to watch Finding Nemo the same way again. Albert Brooks really went out of his way to break free of his comedy roots (his last feature film was The Simpsons Movie) and tried something new, showing his amazing prowess as an actor (his next film will be a return to comedy in Judd Apatow's This is 40). So, if you haven't seen this movie, rev up your engines and get out there! The clock is ticking.


Song: "Tick of the Clock" by The Chromatics